In fact the whole album is just brilliant. It honestly reflects the best of house music and uses Ayers' songs in a new and improved way. There's some slower hip hop styles and a drum and bass fused track "Mystic Voyage" that breaks the album from being just house. There are some real classic modern day artists like Matthew Herbert, Joey Negro and DJ Marky all paying homage to Ayers and putting their take on the whole thing. The bass lines are seriously infectious and the production is tight, intelligent and funky. It's all about quality, feel good positive vibes and serious get down dancing grooves that will take you to the happy domain of optimism. A great purchase. "
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Roy Ayers, Virgin Ubiquity Remixed, Album Review

Cameo, proving that a tight funk is a good funk has released two albums worth checking out. Their first album, Cardiac Arrest, made it crystal clear that Larry Blackmon's outfit was a force to be reckoned with. If you were into hard, tough funk in 1977, it was impossible not to be excited by Cameo's debut. For the most part, this is an album of aggressive, unapologetically gritty funk. On classics like "Rigor Mortis", "Funk Funk" and "Post Mortem" one can pinpoint Cameo's influences -- namely, Parliament/Funkadelic, the Ohio Players, and the Bar-Kays. But at the same time, these gems demonstrate that even in 1977, Cameo had a recognizable sound of its own. For funk lovers, Cardiac Arrest is essential listening.

The second album is their previously unreleased on CD version of We All Know Who We Are. This album also hearkens back to 1977, and although Cameos roots were still based in George Clinton's Parliament/Funkadelic, they created their own sound of Funk by using a heavy bass sound paired with a strong synth to create a truly original sound. Ultimately, Cameo would become quite influential itself. All seven tracks on this album are truly right on.